Frequently Asked Questions

HS+ supports 40+ languages across the Americas, EMEA, and APAC, including English, Simplified and Traditional Chinese, Japanese, Korean, French, German, Spanish (EU & LATAM), Portuguese (EU & BR), Russian, Arabic, Thai, Vietnamese, and Indonesian. Ask us for the current roster for your specific project type and target markets.

Games, animation, and multimedia content are HS+'s strongest focus — narrative text, UI, live-ops updates, trailers, character voice-over, marketing assets, subtitles, dubbing, and music/SFX. HS+ is positioned specifically around entertainment and interactive content, not generic corporate translation.

HS+ uses a structured quality model that can include dual-native review, terminology control, style guides, editor/proof passes, and optional LQA/LQE for UI, display, and in-context validation. Every project runs as a production workflow, not a one-pass translation handoff.

Yes. HS+ supports LQA/LQE and in-context language review for games, apps, and interactive content, catching issues like truncation, context mismatch, inconsistent terminology, and display problems before release rather than after.

Yes — this is one of HS+'s core strengths. Running localization, voice-over, and post-production as one connected workflow keeps language, performance, terminology, and delivery aligned from brief to final handoff, instead of splitting the work across disconnected vendors.

HS+ supports multilingual voice-over for game characters, animation dubbing, trailers and promotional content, system voices and in-game lines, e-learning and narration, and branded media and campaign assets — covering casting, remote live-direction, recording, editing, mixing, QC, and spec-ready delivery.

Yes. Remote live-direction is a standard part of the HS+ voice-over workflow, giving clients creative control during recording and speeding up approvals, retakes, and performance alignment across time zones.

Yes. HS+ casts by language, accent, and character type, and provides voice direction to keep emotional performances consistent across sessions and languages, backed by a curated, vetted talent network.

Yes. Music & Sound Design is a full HS+ service line — original music composition, SFX creation, song production, trailer/cinematic audio, and audio post-production, run alongside localization and voice-over rather than as an unrelated add-on.

It depends on the service. Localization work is delivered in structured text formats matched to your production pipeline; voice-over and music/audio are delivered as production-ready audio files with organized packaging, naming conventions, version control, and stems where required.

HS+ uses style guides, termbases, translation memory, naming rules, and version-aware workflows to hold terminology and tone steady across updates, patches, episodes, and repeated release cycles — especially important for live-service games and long-running IP.

Yes. HS+ is built to support both long-cycle production and urgent turnaround work — launch content, patches, seasonal updates, and fast-moving campaign assets — without dropping quality control or structured delivery.

Yes. HS+ continues supporting projects after release, including live-ops, patches, seasonal events, ongoing character updates, recurring asset delivery, and long-term localization or audio support — the relationship doesn't stop at first handoff.

HS+ runs as one coordinated pipeline instead of routing localization, voice-over, and audio to separate, disconnected vendors. That keeps timelines, terminology, performance, and delivery aligned under one accountable team — the main reason clients with cross-border, multi-format production needs choose HS+.

HS+ replies within 1 business day for all website inquiries.